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APPROACH

Films that feel found.

Filmed on a vintage Sony Handycam by the people who were there. The real, the unposed, the day as it actually was.

I

Why this works

A traditional videographer captures the scheduled beats from the best possible angle. They're skilled at it. The films are technically extraordinary.

But the presence of a stranger with a professional camera changes the day while it's being filmed. People perform. The unguarded moments close down the second a tripod appears in the room.

We do it differently. We send a vintage Sony Handycam in a small box. Your guests film the day. What comes back is the whole event, captured from inside it. The moment from your brother's seat. The speech from your best friend's perspective. The dance from your dad's vantage point at the edge of the floor. And every moment in between that a professional crew would never have reached.

Filmed from inside the day, not from the outside.

Why a vintage Sony Handycam

The camera matters. A modern camera produces clean, sharp footage. It also asks whoever's holding it to be a cinematographer. Your dad gets anxious. The footage suffers.

A vintage Sony Handycam asks for almost nothing. Open the screen, press record. The technical simplicity turns untrained filmers into honest ones.

The footage has a specific look. Slight grain. Warm cast. The autofocus hunting in low light. It reads as real instead of produced. There's something in our nervous systems that trusts footage that looks like memory.

We've thought about shooting on modern cameras and adding the look in post. We don't.

The artefact has to be real, or it's a costume.

II

However you want to use it

The right choice depends on the kind of film you actually want to spend time with afterwards.

AS YOUR ONLY FILM

The Sony Handycam, in the hands of your guests, captures the whole day. We edit it into one complete film. No traditional videographer alongside.

ALONGSIDE A VIDEOGRAPHER

The polished cinematic film for the highlight reel, and a Flip Screen Studio film as the one you'll actually rewatch with friends.

AS AN AESTHETIC CHOICE

The whole approach matches the visual identity of your event. The film is part of the aesthetic, not separate from it.

The film is made in the edit.

How we edit

The footage that comes back is honest, varied, sometimes brilliant, sometimes shaky. Our job is to shape it into a film without cleaning the honesty out of it.

01

Authentic over perfect.

We keep the moments honest. We don't fix what makes it real.

02

Prioritise people.

Faces, reactions, relationships. The film is about who was there.

03

Build a story.

We find the throughline. We let the day breathe.

What you get is a film with a feeling most videos of your day won't have. Slightly grainy, slightly warm, unmistakably real. The one your friends will actually want to watch with you.

For the days worth keeping the way they actually happened.

RESERVE YOUR DATE